GS

Worth your time!

You've got Dr M to thank for this one and be sure you're not drinking anything when you surf over because it'll soon be coming out your nose.


(again, what is with me and the 180s on post topics/seriousness?)

My First Nora Roberts

Title: Born In Ice
Author: Nora Roberts
Publishers: Jove (1995)


I have avoided Nora Roberts for one reason: I'm deeply suspicious of any author that needs several pages to list her/his novels. Perhaps it's unfair of me (or simply insulting (or plain jealousy)) but to be that prolific and still write good books seems so improbable as to be statistically impossible. Born In Ice, while much better than I would have expected from someone who appears to write novels with factory-like output, was not good enough to change my suspicious mind. (NR fans, please feel free to set me right! I'm always interested in being pointed to the good works - easy to miss in a three page list, methinks.) Anyway, synopsis...

Brianna runs a bed and breakfast in Ireland. It's the slow season and she has only one guest. He is an American author finishing up his latest novel. Hmm, well, actually that's about it. Huh. It's not nearly as boring as that description makes it sound, though now I'm starting to see why there's just a picture of Roberts on the back cuz how does one come up with more back copy than what I've just said? Huh. Anyway... so Grayson's working on his book and Brianna's doing her thing of running the B&B. Brianna, by the way, is awesome! If I had half the skills she has I think it'd be ~100x as many as I currently have. Holy damn, she is one talented lady! She's also excellent at dealing with Grayson's moodiness. She's got a great way of cutting right to the issue and making a person feel pretty small for being a jerk. Grayson's actually not a bad guy he's just up and down depending on how the writing is going. (I actually enjoy when a character is a writer as I think it's funny to hear authors describe their professions.)

This is another of those romances that didn't work for me because everything was too easy. Sure, Grayson had to overcome a deeply personal fear to make a change in his life but there wasn't one single moment when I didn't think he would. Also, Grayson is one of those mega-successful authors with money coming out of his ears* so Brianna, who has to scrimp and save for every improvement, gets insta-cash cuz he's around. I'm certainly happy for her but, again, too easy.

There's really nothing particularly wrong with the story, or the protags who are both decent and likable, it's just that I never had any sort of investment in it. I could have put it down at any time and not once worried about what happened to anyone. What I ended up enjoying the most was Grayson interacting with people when they mentioned his work (actually Grayson is a pretty funny guy so he often had lines that made me giggle). To me this is a bad sign. It's a romance, shouldn't my favorite conversations include the protags? I mean, at least some of the time? So anyway, this one does not get a huge recommendation from me and it wouldn't surprise me if I never read another Roberts. However, I will exit with a quote from some random guy to Grayson about his novels:

"I'll have to get it out of the way and tell you I'm a big fan."
"It's never in the way."

Awe. Some! No kidding, it's never in the way! In fact, it's paving the way to my bank account. :)



rating: 3 of 5 stars
(a rating of 3 really is the least informative isn't it?)


**I've always wondered at the possible similarities in horse racing success and author success. There's something like 37,000 thoroughbreds registered every year (in North America) and less than 5% of them end up making the big bucks. Percentages go up a little if you're talking just breaking even but the mega-bucks are hard to come by.

A Scanner Darkly by Phlip K. Dick

Title: A Scanner Darkly
Author: Philip K. Dick
Publisher: Vintage Books (1977)


le0pard13 and I are back again for a look at a book and its adaptation into movie form. I think A Scanner Darkly was a suggestion (yes, we take suggestions! anything you'd like to see get the joint treatment?) from a commenter at Lazy Thoughts From a Boomer. I sure am glad for the suggestion because I really liked the book and I enjoyed the movie, as well. So let's get to it.

Click here for Michael's A Scanner Darkly Film Review

Robert Arctor is an undercover police officer in Los Angeles. When undercover, he's a small time drug dealer called Robert Arctor. At the office he's disguised in a scrambler suit, as are all his colleagues, and called Fred. As Arctor, he's trying to make his way up the dealer ladder to find the source of Substance D, a powerful narcotic that eventually leads to a split in the user's brain. As Fred, he has been assigned to tail Arctor. The story centers around his increased dependence on Substance D undermining his ability to maintain the two identities.

The story addresses a pretty serious topic. But before we get too focused on the serious let's have a laugh about Arctor's weird hard-on for pistol whipping (there was a time at the beginning where I thought this was going to be a per chapter threat!) and PKD's odd dialogue style totally working for a book about a bunch of people on drugs. Seriously! It's like his dialogue style found its calling. Awesome! And if you didn't click on the book link above be sure to eventually have a visit because the second cover photo is to bust-a-gut for [now included above]. Oh the hair! The stache!

Quick note about the druggies: I'm not a huge fan of books/movies about people doing drugs. I have a lot of interest in the infrastructure of the drug trade (and its relationship to law enforcement) but stories that focus mainly on those doing drugs - and their drug-induced behavior - are of little interest to me. There was a portion of the movie that totally lost me as a viewer since I was just sitting there watching druggies be druggies, but it wasn't too long and the book was much more interesting during those parts. Actually, the movie is a remarkably faithful adaptation but the internal processes of the characters - esp Arctor - are, obviously, lost in the film. It's the windows into the users' minds that made the book more enjoyable for me in those parts. Otherwise they both do a great job of introducing the very interesting concepts of dual identities and the value of the individual vs. the group within the backdrop of a relevant societal issue.

I've always loved PKD stories because of his cool ideas but he really steps it up for this one because it's a fantastic idea laced with dead-on observations about people (as all the best sci-fi is:). Arctor often struggles with his genuine compassion for those he is tailing and his feelings are humorously illuminated as he recounts hearing this phrase from a non-using friend of his drug crowd:

If I had known it was harmless I would have killed it myself.

Besides the fact that the phrase itself makes one pause to think of how often this theme plays out in human history, Arctor's response - and what it means to the dual life he is leading - is one helluva passage. Even as he struggles with this there's no doubt in his mind that he will bust those that he is ordered to bust. Then, he begins to suspect one of his friends of a revenge narc and thinks he's being observed, ironically he's disgusted by the thought of someone acting like they are your friend just to get dirt on you (double irony, of course, is that he is being observed but only by him).

As mentioned above, the illustration of Arctor's conflict, and actually many of the conflicts and problems in the story, is humorous but it's of the bittersweet and ironic variety. Like if you didn't laugh at it you just might cry a little. I find it's one of the more successful aspects of the book. You're going along, enjoying yourself, getting totally into the story and suddenly laughing out loud. Then you peel back the humorous surface and wonder how it is you managed to laugh at the situation. Very powerful and engaging stuff.

On the face of it, this is a simple story of a rather odd undercover set-up. But the surface really is only the beginning. There is so much going on in this book! There's a hint of this before you even start reading. For exploration of this hint, you'll need to pull out what I think is the most successful publishing endeavor ever, and certainly one of the most influential books in the world, the Bible. Flip on over to 1 Corinthians 13 and read through one of the Bible's more popular chapters (and lest we overlook; oft-abused in wedding ceremonies) to get started. There's a slight catch; you need the King James Version. Follow along with me and you'll see why:

NIV - 1 Cor 13:12 Now we see but a poor reflection as in a mirror; then we shall see face to face. Now I know in part; then I shall know fully, even as I am fully known.

New KJV - 1 Cor 13:12 For now we see in a mirror, dimly, but then face to face. Now I know in part, but then I shall know just as I also am known.

KJV - 1 Cor 13:12 For now we see through a glass, darkly; but then face to face: now I know in part; but then shall I know even as also I am known.

Now, I've always found 1 Cor 13 rather poetic and layered but holy hellfire that verse 12 is just packed and so super awesome as relates to A Scanner Darkly. Ok, enough alluding, let's get on with it.

On the surface you've got the plight of addicts, the difficulty of the dual life of an undercover cop, and the often hilarious attempts of Arctor to woo Donna. A constantly recurring theme just under this is the rights of an individual vs. the health of society at large. Go a little bit deeper and the title, which at first speaks simply to leading a dual life, fairly hums across every chapter, line, and theme. Now I know in part; but then shall I know even as also I am known. That says it all and if I were to really get into this, massive spoilers would rear their ugly heads. I'd rather leave the finer details for the reader to discover than ruin them. I don't want to say too much about the movie here but, even though it's a fantastic adaptation (including word for word conversations), you really miss a lot of what is best about this story if you don't read the book.

It's obvious (and not just because of the author's note) that PKD isn't trying to point any fingers or make any judgments. He took a lifestyle that had an immense effect on his own life, threaded it with a great idea, then proceeded to highlight the multiple realities of drug production, use, and prevention with a keen eye for humanism. It really is one damn fine tale.

I've focused mostly on what I liked but there were a couple passages that centered around a topic that always gets my hackles up. This was the notion of a lost golden age. Like things are so shit right now but "a long, long time ago" there wasn't so much gray and justice and wisdom always aligned and blah de freaking blah! I can't stand this theme! I'm still waiting for the golden age. Would anyone seriously trade being born now for being born sometime in the past? Give me a break! Taking just being female as an example there are many Ages (and decades none too distant) that did not look kindly upon the lack of a penis. Plus, if you're constantly looking backward for a fabled golden age you certainly can't be looking forward to a time when we might truly attain an age of equality and sustainability. 

But, really, that's a small part of the overall story and other quibbles I have are pretty small. This is a great book that is so worth your time. Pick it up for the awesome story but read it attentively for the rewards of closer inspection.


A few good lines:

Fred [Arctor in scramble suit]: If you boys are psychologist types and you've been listening to my endless debriefings with Hank, what the hell is Donna's handle? How do I get next to her? I mean, how is it done? With that kind of sweet, unique, stubborn little chick?
"Each girl is different," the seated deputy said.
"I mean approach her ethically," Fred said. "Not cram her with reds and booze and then stick it into her while she's lying on the living-room floor."
"Buy her flowers," the standing deputy said.
"What?" Fred said, his suit-filtered eyes opening wide.

Now my [auto] insurance rates will go up... In this world you pay for tilting with evil in cold, hard cash.

It requires the greatest kind of wisdom to know when to apply injustice. How can justice fall victim, ever, to what is right? How can this happen?

"Life asks an awful lot."

Don't forget to check out the movie review! And, as always, many thanks to Michael for the fun of joint analysis.


rating: 4 of 5 stars


Click here for an index of the joint post series

My Life in Books Meme

I was inspired to play along!

In high school I was: Not Quite a Lady (Loretta Chase)
People might be surprised I’m: Looking for Rachel Wallace (Robert B. Parker)
I will never be: Sleepless (Charlie Huston) **
My fantasy job is: Eagle of the Ninth (Rosemary Sutcliff) **
At the end of a long day I need: High Heat, To Say Nothing of the Dog (Tim Wendel, Connie Willis) **
I hate it when: Nowhere Is A Place (Bernice L. McFadden) **
Wish I had: The Maltese Falcon (Dashiell Hammett) **
My family reunions are a: Gaudy Night (Dorothy L. Sayers)
At a party you’d find me with: Lesser Demons (Norman Partridge) **
I’ve never been to: Red Mars (Kim Stanley Robinson)
A happy day includes: Lessons in French (or anything by Laura Kinsale:) **
Motto I live by: Snakes Can't Run (Ed Lin) **
On my bucket list: Flight Lessons (Patricia Gaffney)
In my next life, I want to be: The Monkey's Raincoat (Robert Crais)


**recommended reads

.

Quotable

Even where the affections are not strongly moved by any superior excellence, the companions of our childhood always possess a certain power over our minds, which hardly any later friend can obtain. They know our infantine dispositions, which, however they may be afterwards modified, are never eradicated; and they judge of our actions with more certain conclusions as to the integrity of our motives.

Frankenstein by Mary Shelley

Almost Heaven by Judith McNaught

Title: Almost Heaven
Author: Judith McNaught
Publisher: Pocket Books (1990)

First I must thank the SBD crew over at Sum of Me for helping me pick a McNaught to try. I certainly appreciated the detailed info re tropes/subject matter to pick from. I actually read the book a couple months ago now but am only just getting around to saying a few words. The set-up: Elizabeth Cameron had a slight hiccup during her debut year resulting in the loss of a fiance and the good opinion of England's polite society. At one time she had 15 offers of marriage, now she is trying to keep her estate running. Her dear old uncle (pushy, jizzwaddy brute!) needs her wed and fast. His hilariously stupid attempt at this is to send letters to those previous 15 suitors telling them that Elizabeth is up for sale available again. Three respond that they are willing to have her visit for a couple weeks to see if they suit. Elizabeth is, not surprisingly, appalled at this notion and makes a plan to annoy all of them so they will send her home again - unwed - so she can focus on the estate. She manages to shirk the first two pretty quickly but her time with the third proves a bit more interesting.

aside: Potential Husband #2, Lord John Marchman, Earl of Canford, was probably my favorite thing about the book. Seriously! I heart Johnny! I want him to have his own book. I want him to be the hero and to have a wonderful heroine show up and woo his cravat right off. Said heroine will come with fishing pole and avid love of boar (or whatever) hunting and the two of them will live HEA on his beautiful land and eat fish every night in their carcass-laden dining room. Can't you see it? Wouldn't he be such a darling hero? *sigh*


Ok, back to regularly scheduled programing... Basically this book was too for me. It was too long, too obvious (in general), too obvious the protags would end up together*, too sweet, everything worked out too easily, I was never too worried anything truly bad would happen, and the heroine even had a bordering-on Too Stupid To Live Moment (spoilerly, highlight if interested: I didn't believe for one second she would run off like that with her brother. If I'm to believe that then I can't believe anything about how much in love with Ian she was supposed to be. She didn't even give him a chance! That is just not-using-your-head ridiculous). Now, this is not to say that I didn't enjoy anything about the book. Though cloying, it was a nice love story and I was happy to see the characters (esp Ian) make some conscious decisions to change their lives for the better. However, there wasn't anything about the book that has made me rush out to add more McNaught onto my TBR pile.

rating: 3 of 5 stars

*yes, I do realize that every romance ends with the protags getting together but let's not forget that a main requirement for sgwordy's enjoyment of a romance is that she believes, even if only a teensy bit, that there is an outside chance the protags won't end up together

Katherine by Anya Seton

Title: Katherine
Author: Anya Seton
Publisher: Chicago Review Press (2004), originally published in 1954


Katherine is historical fiction based on the life of Katherine de Roet and her relationship with John of Gaunt, Duke of Lancaster in 14th century England. This book is beautifully done and well-researched by Anya Seton. And I'd be lying if I didn't say one of its most appealing aspects is that it is a true life fairy tale of love. This is no everything-smells-like-roses fairy tale, being very true to the realities and obligations of 14th century daily life - for royalty and commoners alike - but the true and enduring love between Katherine and John is, as they say, stranger than fiction. Ok, well, maybe just sweeter than fiction. 

Seton does justice to the period and the reader is rarely drawn out of the world she has created, which can often happen if a historical novel is overly influenced by the author or current societal mores. In fact, the only aspect of this novel that often seemed unrealistic to me was the use of sexual "morality" to represent purity or greediness of character. Thankfully, this was a small portion of the overall story and so did not take much away from the book.

Katherine de Roet was the daughter of a man who was knighted on the field and so was not high in the hierarchy of English nobility. She came to the notice of the richest man in England (save the King), the Duke of Lancaster, through her marriage to a landed knight who was the duke’s liegeman. After her husband’s death (or before depending on whose history you follow), Katherine began a long relationship with the duke. Even during the duke's second marriage to a Castilian heiress, Katherine was recognized as the woman closest to him in all things… well, except wedded vows.

There is not much written history regarding Katherine outside of official records of monies and property. And it is obvious that Seton takes some license with various events surrounding Katherine. However, one never feels like these detract from the truths that can be known about her. Where Seton had to fill in holes the events seem as likely to be true as any other educated guess. And this is what makes the story a compelling read from beginning to end. The undisputed history fits seamlessly with the history that can’t be confirmed making for an enjoyable read.

And speaking of the undisputed history, it's pretty interesting. The Peasant's Revolt occurred during this time and the Savoy Palace was fired (and hot damn that gets to me every time! it seems like it would have been such a beautiful building! the oppressed clearly had no thought to future museums, etc... course I can't really blame them), Geoffrey Chaucer was part of the duke's retinue and the Hundred Years' War was on with France. Seton keeps Katherine as the central focus of the story (see title) but all these events inevitably touch her life.

Anyone with an interest in historical novels will enjoy this but I can’t deny that it's the unbelievable but documented love affair that keeps me coming back to the story for additional reads.


rating: 4 of 5 stars

To a Stranger by Walt Whitman

PASSING stranger! you do not know how longingly I look upon you,
You must be he I was seeking, or she I was seeking, (it comes to me, as of a dream,)
I have somewhere surely lived a life of joy with you,
All is recall’d as we flit by each other, fluid, affectionate, chaste, matured,
You grew up with me, were a boy with me, or a girl with me,
I ate with you, and slept with you—your body has become not yours only, nor left my body
mine
only,
You give me the pleasure of your eyes, face, flesh, as we pass—you take of my beard,
breast,
hands, in return,
I am not to speak to you—I am to think of you when I sit alone, or wake at night alone,
I am to wait—I do not doubt I am to meet you again,
I am to see to it that I do not lose you.

Posse For Hire: A business opportunity

Dr M and I are sports fans and so we often find ourselves discussing various aspects of the sporting community. Over the last year or so we discovered a business opportunity via our observations. To wit:

Have you ever noticed how a young athlete can rocket right to the tip top of the game in a very short time and, to review, at a very young age? Have you ever noticed that athletes make way more than us regular citizens and so it's very likely that new athletes have just received a massive pay raise? Well, if so, then you've probably noticed that they don't always handle it very well. And besides the instacash, many athletes don't seem to understand that their earning potential tends to decrease with age rather than increase as is typical in most professions. All these things combine at an event horizon that can either launch an athlete into fiscal security or tip our young athletes into early bankruptcy with no thought to retirement accounts and the like. And let's be honest, many athletes have an entourage that is not exactly looking out for their best interests.

Enter Posse For Hire!

We at Posse For Hire understand that the newly rich and famous have specific needs for lifestyle and image maintenance. Let us assume the worry and responsibility for said maintenance by providing you with a professionally trained entourage. Our Posses (comprised of 2 to 20 individuals) can be specifically tailored to your needs. For example, if you are the kind of athlete that likes to have a good time in your off time then your crew can be outfitted with driver(s), wing(wo)men, bodyguard(s), personal assistant(s), and event planner(s).

Each Posse is assembled on a case by case basis with your individual needs as the starting point for your Posse. After your initial interview, Posse For Hire will provide you with our state of the art, scientifically rigorous profile so that you will understand how your Posse was formed. Any and all concerns regarding your profile will be addressed at the earliest possible time and Posses are never final. While we recommend that all clients maintain at the minimum the Newly Signed Posse (NSP includes an accountant, a life coach (life coach comes trained to identify spectacularly stupid decision making), and a business/image manager), we recognize that special circumstances may require an a la carte approach to a Posse.

Please contact Posse For Hire with any questions and to request a catalog for details on all possible Posse members.

The OTHER in publishing (revisited)

A while back I posted on the idea of the OTHER in publishing and the post included this comment:

Far worse than this though, are the authors that end up pigeonholed because of assumptions regarding their potential audience.

Bernice L. McFadden, an author whose work and blog I quite enjoy, said a few words in this op-ed about the industry's marketing of African American literature, amongst many other salient points, that is quite worth a read.

A brief quote (emphasis mine):

This suggests that our literature is singular and anomalous, not universal. It is as if we American authors who happen to be of African descent are not a people but a genre much like mystery, romance or thriller. 

That "not universal" bit is what really gets me going whenever I think on this problem. Again, why is it thought  we can all relate to the assumed default whether or not we are part of that default but not to the many, many other people in our society?


A little tangential to this topic is this very interesting article by Matt Thorn regarding signifiers in anime. He reflects on "unmarked" and "marked" categories in different cultures.

Dr Musacha says...

(while playing Sacred 2 - Fallen Angel)

"Did I accidentally take her pants off and not notice?"


If this is not a commentary on the leanings of the video game industry then I don't know what is.


Speaking of Dr M, check out this awesome post!

I still belong to Ubisoft and AC

Are you surprised? ;-)

Friggin' Awesome!

I get so ridiculously excited when I see news like this:

Horton Plains Slender Loris pictured for first time

Almost Toppled, or Your Boring Best

Before my actual topic, 3 items of randomness...

1) Why does my dog lick his chops next to me after every damn meal? Is this his way of saying thanks? And why so insistent? Even if I go back to bed he'll do it in front of my closed bedroom door! And why is this something he picked up at 6 years of age?

2) I recently watched The World Unseen and it's worth a viewing. I was pretty dang impressed with the character arcs (though not always with the acting) and was pleased with the way the movie ended. Also, Lisa Ray is fantastically beautiful.

3) Why have I begun to hallucinate the little red light on my crackberry? Am I that desperate for new emails and texts?


So my actual bookishness for the day is good books that are boring. One would not think that a good book would be boring but I've read a few books that I thought were excellently crafted but boring. The reigning champ in sgwordy's world is Jonathan Strange and Mr Norrell. That brick of a book is very well crafted, the undertaking impressive, and the continuity mind-bogglingly maintained. But holy fuck it's boring! It's a long story** (and pretty dang funny actually) as to why I read this book but the only way I managed was to take it as the only book in my possession on an international trip. Why is it boring you might ask (or poss you've read it and so you already know)... well, there are many, many reasons but my main indicator of boredom is having this thought: If every character in this book died right now I would not care.


**haha, unintentional pun

Last month I thought we might have a new winner. Red Mars by Kim Stanley Robinson is also an undertaking of epic proportions. Well-written, great world-building, multi-layered experience... boring! Again, had this one on a trip but it's possible I might have finished it anyway just to compare to JSandMN. The whole time I was thinking, does this trump JSandMN? Is this my boring best? In the end, though, I had to concede that it was less boring. There were a few characters that I was mildly interested in learning more about.

The thing about Your Boring Best is that if someone asks why you didn't like the book there's no answer other than boring. There's nothing to point to as a problem. Each element of an excellent book is in place but, in the end, one was never engaged as a reader. It's much like looking at a superior painting and feeling nothing. Is this better or worse than picking a book apart? On the one hand, I can't fault the writers in any clear way but on the other hand I had no connection to their artistry. Hmmm...


What's Your Boring Best?

(Or would you rather take me to task on my boring best?)

Killers (2010)

Title: Killers

Director: Robert Luketic

Studio: Lionsgate (2010)

It would be fair to say that sgwordy does not have a trail of successful movie theatre visits to think back on for the last few years. And so it would also be fair to say that when general ennui drove her to rope Dr M into a theatre visit the other night she wasn't expecting much (really anyfuckingthing) from Killers when it turned out that Inception had not yet opened. But let me convey this succinct true story:

scene - credits roll
sgwordy (flushed, grinning madly, turning to Dr M) - I feel like I just won a millions dollars!**

I shit you not! True story!

Recently dumped Jen meets hot (and I mean smokin' hawt!) Spencer whilst vacationing. They quickly fall in love but, unbeknownst to Jen, Spencer is a government agent with assassinatin' skills. Spencer's been wanting to plant some roots, though, so he's more than ready to give it a go with Jen in the 'burbs. Curtain rises...

I went into this with very low expectations for several reasons but I'll just mention the two most relevant: the trailer gives the impression that it's one of those movies that reserves its funniest lines for the trailer and that its story is one of those that might keep you interested for 2/3 of the movie but the last 1/3 quickly dwindles down to badly done sentimentality, apology speeches, resolving the Big Misunderstanding, or similar AND I was absolutely convinced there was no way Ashton Kutcher could, well, act but most especially that he could not pull off this role. Well, holy hot damn, I was wrong on both counts and happy to be so. This movie is funny from beginning to end (at times I was laughing so much that I was afraid I was missing subsequent funny lines) and Ashton Kutcher rocked my sox. Ok, no, it's not a difficult part but I simply could not imagine him doing it. But he did, and well. On top of this, Kutcher and Heigl had out of this world chemistry. They were so good I hope they do more movies together. No need to be romantic, just get them working as any kind of partners and it's going to be good; that's how awesome they were together.

Jen's parents play an active role in the story and they, too, are funny. (The four main actors were all quite funny with lovely chemistry no matter who they were in a scene with.) I would have liked to have seen more of the parents. Surprisingly, the other secondary characters were not well done. Often a romcom is saved by the secondaries but in this case they detracted from the real stars and certainly weren't funny in comparison. The other major flaw of the movie is the poor showing of the spies. I won't fault Killers too much for this because it is often the case that movie spies prefer to kill as obviously and stupidly as possible while attracting as much attention as possible. It continually annoys me because I love a good spy story and would just like to see people doing their jobs well. Amongst many other things, spraying up a public place with bullets is not doing your job well! BUT, there are some excellent hand-to-hand fight scenes that I quite enjoyed so that did make up a bit for the Too Stupid To Be An Actual Spy shit.

(Oh, and yeah, there should have been more of Kevin the Manager due to me wanting to see more of the actor! Don't look up who this is; just be surprised like me because that's part of the fun!)

So the chemistry really did a lot for the movie but what was even better was the awesome script. It was superb! Do I sound crotchety when I say that scripts seem to be the least of a movie maker's concerns these days? Well, anyway, it feels that way so when I get to sit through a great script I am just tickled. And especially in this case because it was so damn funny. It's not like the story set-up is all that realistic but the dialogue is so natural that you really believe Jen and Spencer would say what they are saying while they are doing what they are doing. And, better yet, they are funny while they are saying it. The dialogue very much centers around the way a couple would interact and that's another strength of the movie.

Jen and Spencer are a very committed and loving couple. How refreshing! This isn't about two people who want to change each other or who are sick of each other or who constantly make fun of each other to get the laughs; they are very deeply in love with a healthy relationship. Because of this the dialogue can't simply be full of gender/relationship-based cliches. The characters interact very naturally with each other in ways that denote a history and a full relationship. It's so funny because you believe what they say would actually be said between two people. You won't find insulting and disgusting quips about Women as Naggers and Men as Messy Cavemen but you'll get a lot of laughs from watching a couple interact as they try to work out the thorny problem of assassins on the lose.

Oh, and I love the theme of the suburbs being just as dangerous an environment as being a spy. It made me think of Mulder and Scully as the Petrie's. Awe! Some!

It's not like this is going to win any Oscars or go down as one of the funniest movies of the decade (though I can't currently recall the last movie I saw that was this funny in the last few years so maybe it will) but it's a solid script that will keep you laughing from beginning to end. I know it'll be one that I re-watch often when I can get my hot little hands on the DVD.

rating: 4 of 5 stars


** I feel it's only fair to mention that the movie price was $4.75/adult because the town we were in does cheapy late night movies Sun-Wed and that definitely contributed to the lottery winning feeling. I was in high school the last time I saw a movie at night for that cheap!

Snicker

I love the making fun of those that get it in their heads that they must have THIS THING right NOW!!!!

(hat tip: schmelly)

"I can stand here with a dumb look on my face ALL DAY!"

I think we all remember how much I love Resident Evil: Leon*; and how disappointing Resident Evil: 5 was. Turns out I'm not the only one to throw fits and scream over RE:5. Check out this awesome comic and article. (hat tip: Dr M)


*Oh, you don't remember? Perhaps an illustrative example would help! This, among other things, hangs on the wall across from my desk. :-)

My First Harlequin

Title: The Tycoon's Rebel Bride
Author: Maya Banks
Publisher: Harlequin Silhouette Desire (2009)
Mystery Designation: #1944 May 09


Previous visitors (waddup y'all?) know that I loves me a good romance. It's probably clear at this point that I prefer those of the historical variety but I do occasionally make a foray into the contemporary. I doubled up my latest contemporary journey with a first: a Harlequin! I have to say that it didn't exactly go like gangbusters. (Not exactly a ringing endorsement, I know.) Before I get into the meat of it, though, can someone please explain to me the number thing? Are these released like comic books or something? What does #1944 mean?

Isabella Caplan (of rebel bride fame) has the humpin' hornies for Theron Anetakis (of tycoon fame) but she is a ward of his family and he sees her only as a kid that he is responsible for. He doesn't actually know her all that well since she's more of a fiscal ward than a live-in ward due to their parents' friendship. Isabella has loved Theron for most of her life and has decided her post college graduation goal is to marry him. He quickly realizes she's more than just a kid but he still thinks of her as a responsibility rather than a potential mate. Cue mood music...


What I Liked:

>It was short

>Isabella has a goal and is willing to work for it

>Isabella is comfortable in her own skin and with her sexuality

>Theron asked some dang good questions. For instance, what are your plans now that you have graduated?

>This is a follow-up to The Tycoon's Pregnant Mistress (#1920) and how can I possibly not enjoy that? Very handy to not even have to read the back flap to know what one is getting into. (Note that the #1920 tycoon is brother to current tycoon not actual current tycoon.)

>Isabella's dress on the cover. I'd like to own it and wear it. Perhaps in a helicopter I've hired.


What I Didn't Like:

>Even though it was short it was still more wordy than needed (yes, actually, I do see the irony in this:).

>I realize we're dealing with the uber-rich here so they may not have exactly the same cares/worries as the rest of us but I couldn't stomach the main motivations of the two protags: Isabella appeared to think all aspects of her life would fall into place if only she got married and Theron was insultingly over-bearing. He was so over-bearing that at one point I thought I had misunderstood and was reading an historical but modern technology was mentioned so it was him, not me.

>Everything was too easy.*

side note: For a romance to work for me I absolutely must believe two things:
    1) There's a chance the couple might not get together.
    2) They will remain together after the book has ended.

Think about the wonderful romance that is Persuasion (or Seize the Fire or Bridget Jones' Diary); even though I know better I am genuinely worried things won't work out. But when they do I am convinced they really do.

*again, I realize with people that own jets things are probably a bit easier but, really, you got to make me believe it won't work out or else why I am here reading all these pages of them trying to work it out. There's no point if it's grossly obvious that things will be fine.

>That "gentleman's" club business was the best that could be contrived to bring about action re the true feelings of our protags??

>Unprotected sex in 2009????????????? Give me a fucking break!


In summary, this one was just too empty. The writing lacked even a hint of subtlety - as did the characters, really. I know what I was supposed to think and feel because it was painfully spelled out for me but I never actually thought or felt any of those things. If you're looking for a good romance I can recommend several, but you're definitely going to want to give this one a pass.

rating: 2 of 5 stars





Any Harlequin readers out there want to point me in a better direction?

Encore!

From Paris With Love (2010)

Title: From Paris With Love

Director: Pierre Morel

Studio: Lionsgate (2010)

"Two agents. One city. No merci."

If I had seen this tagline then I might have had some clue of what to expect. Oh holy fuck!


sgwordy selects special features
sgwordy: Do you think there's a blooper reel or are all the bloopers included in the film?
Dr Musacha: Yeah, if you click on blooper reel it just starts the movie over again.

sgwordy selects Spies, Spooks, and Special Ops: Life Under Cover
sgwordy: Are these guys reading the Wikipedia article aloud?
Dr Musacha: It sounds more like a summary of what they learned from Splinter Cell.


Of note:
There is actually no blooper reel.
While of limitless comedic value if one enjoys practicing the MST3k treatment, From Paris With Love can not, in fact, unseat The Transporter as best movie to MST3k.


movie rating: 2 of 5 stars
MST3k treatment rating: 5 of 5 stars