Thursday, July 31, 2014

Hombre by Elmore Leonard

Title: Hombre
Author: Elmore Leonard
Publisher: Ballantine (1961)


I've heard some of the folks in Cali are enduring a hot, dry summer. Lucky, lucky you, Michael! But, turns out, lucky me, way down south; the days are getting longer and I saw some buds on the Wisteria climbing my porch. Also, my chives are bustling about making lots of new shoots. Yay, spring! I can't wait. But we're not here for me to yap about how happy I am that winter is ending. It's booky/movie time!

For those that are new to our monthly series, this is when Michael reviews a film adapted from a book which gets a review here. 


Click here for Michael's film review of Hombre





An unscheduled, impromptu stage (of the wagon variety) is carrying six passengers from Sweetmary to somewhere else in Arizona. Each passenger has a unique and urgent reason to be making this journey. They each seem pretty solitary (even, oddly, the husband and wife) but they are quickly united in their disgust at having a man in the stage who lived for a time with the Apache people at San Carlos Reservation. When the stage is robbed, motivations and alliances become even more confused.


...if they knew he'd been living like an Apache most of his life, right up until a little while ago? Would it make a difference to them? I had a feeling it would. I didn't think of myself as one of them, then; now I don't see why I should have left myself out.

The above is from our narrator, Carl, who does a relatively good job at analyzing his own reactions to John Russell (the titular character) and, even when he doesn’t, his first person perspective is consistently thought-provoking for the reader separate from whether or not he manages genuine self-reflection.

...he reminded you of ... almost everyone of them you ever saw: all made of the same leather and hardly ever smiling unless they were with their own look-alike brothers. Then they were always loud, loud talking and loud laughing.

The scene from which that quote derives occurs early in the novel but remained with me throughout. Here is an instance when Carl absolutely dead-on describes a couple of seemingly minor players in this drama by comparing their hard, blustery behavior to each other. (Carl, by the way, defaults white as he only ever specifically notes when people are not.) His choice of words paints an immediate picture and becomes more real as the story progresses. On the other hand, he gets quite a few of his first impressions wrong. 

It's easy for the reader to do this, too. Leonard has quite cleverly crafted this story, with this narrator, to leave a lot for the reader to decide. On the surface, it’s a reflection of the youth and inexperience of the narrator, below that it's a lovely piece of craft on Leonard’s part. In fact, if you read this closely, paying attention to the many perspectives and prejudices that are revealed from beginning to end, it’s clearly about more than just the narrator's fascination with John Russell.

"How come you didn't tell them?"
"Tell them what?"
"That you're not what they think."
"Does it make a difference?"
...
"Sure, they're wrong. But is it easier to convince them of it or just forget about it? You understand that?"
"I'm learning," Russell said.

On top of what can only be described as a sociological study it’s a pretty exciting hold-up. My experience of Westerns is limited (and, unfortunately, mostly negative) so maybe the way this plays out is a dime-a-dozen situation but it doesn’t feel like it. Buried in the straightforward robbery are a multitude of motives, betrayals, victims, and aggressors. 

And I haven't even mentioned Mrs. Favor or Kathleen McLaren. My thoughts on Mrs. Favor would be a huge spoiler so I'll skip them, and McLaren could easily have a post of her own (hell, she could have her own book) which will make this too long so I'll just say: check this title out! Leonard's characters certainly don't disappoint (in a fictional way. i don't think i'd actually like to know any of them:). Also, it's quite a delight that this book is concise and focused. No extra fluff, it gets right to the point. How refreshing!

"I got a question," Russell said.
Braden was squinting to make out Russell in the window. "Ask it," he said.
"How you going to get down that hill?"


Now about that movie... Don't forget to check out Michael's post. 


rating: 4 of 5 stars
 




Click here for an index of the joint post series

Sunday, July 27, 2014

Alan Rickman Reel: Mesmer (and a change-up)

My household are big fans of Alan Rickman. As such, we decided to review his films from start to finish. Using IMDb, that put us starting with Die Hard (Die Hard!!!!) and we knew Dogma and Galaxy Quest would be in there, too. Not to mention all our other favorite Alan Rickman films. Plus, you know, we thought we'd discover so many more fun movies. That is probably still true but we've been discovering some real duds in our journey and it's sucking the fun out of this activity. As such, we've decided to keep going in chronological order but to focus on the ones we like or what sounds good to us.

If we skip one of your favorites feel free to make a case for it in the comments. Links to previous reviews can be found below under the cut.


Between this movie and the blurb for Close Your Eyes, we've been inspired to change our Alan Rickman Reel rules!





sgwordy: Wow! That movie was really boring. But mostly just bad.

Dr Musacha: Yep, boring and bad. I think we're done here!

sgwordy: Whoa, deja vu! I totally agree. Should we just skip to the summary or do we need to say anymore about how we're changing our strategy?

Dr Musacha: I might have had to stab my eyes out if we were subjected to more movies like this so thumbs up to the new strategy.

sgwordy: (laughs) On to the ratings then. And we're almost positive we'll have a better review up for next time.


Summary:
Rate the movie on a scale of 1 to 10:
Dr Musacha – 1
sgwordy – -5 (that's a minus, to be clear)

Was Rickman the best thing about this movie?
Dr Musacha – Interestingly, he won a film festival award for his acting in this movie. So according to Montreal, yes.
sgwordy – There was nothing 'best' about this movie (suck it, Montreal!)

In the context of his body of work, on a scale of 1 to 10, how would you rate Rickman as Rickman?
Dr Musacha – 2
sgwordy –3

Favorite Rickman quote from this movie?
Dr Musacha: I deal with all kinds of derangements.
sgwordy: Cleaning the house!